About The Filmmakers

From humble Newcastle beginnings, British-born director, producer and writer PAUL W.S. ANDERSON (Directed by/Screen Story and Screenplay by/Produced by) teamed up with producer and fellow Brit, Jeremy Bolt, early in his career to found Impact Pictures. The first film of the pair's ongoing collaboration, under the auspices of Impact Pictures, was the low-budget success Shopping (Channel Four Films, 1994), which Anderson wrote and directed. Starring Sadie Frost and Jude Law (with an appearance by legendary singer Marianne Faithfull), this dark film about joyriding and ram-raiding British youth (banned in some U.K. theaters) established Anderson's love of cars, dystopian futures and high-impact action.

Shopping paved the way to Hollywood for Anderson, and 1995's Mortal Kombat became Anderson's first American No. 1 box-office smash. It was also the first successful movie adaptation of a video game, a fact that soon established Anderson's reputation as the man who could take the game out of the box and make it explode on the screen. Sidestepping offers to direct a sequel to Mortal Kombat, Anderson chose instead to turn his attention to sci-fi. His next directorial projects included Soldier and Event Horizon. Blade Runner screenwriter David Peoples wrote Soldier, a "sidequel" to Blade Runner, which starred Kurt Russell, Connie Nielsen and Jason Isaacs. Now a cult classic, Event Horizon's stars include Laurence Fishburne, Sam Neill, Jason Isaacs and Joely Richardson.

Anderson returned to adapting video games for the big screen with the survival horror Resident Evil (2002), starring Milla Jovovich and Michelle Rodriguez, which he wrote, directed and produced. A resounding commercial success, the movie spawned a successful franchise that includes No. 1 hits Resident Evil: Apocalypse (2004) and Resident Evil: Extinction (2007). Anderson wrote and produced the sequels with Jeremy Bolt.

Anderson consolidated his box-office muscle when he wrote and directed the highly anticipated AVP: Alien vs. Predator (2004), starring Lance Henriksen, which opened at No. 1 and went on to be the highest-grossing film in both the Alien and Predator series.

Anderson is currently preparing a remake of the gangster classic The Long Good Friday, which he will write, produce and direct, as well as the sci-fi horror Pandorum, starring Dennis Quaid and Ben Foster, which he will produce, and the video game adaptation and action-horror Castlevania, which he will write and produce for Rogue Pictures/Universal Pictures. Anderson's producing partner, Jeremy Bolt, will produce all three.

PAULA WAGNER (Produced by) has worked in the top ranks of the entertainment industry. She was a powerful talent agent, then a successful producer and now currently helms one of the most famed studios in Hollywood.

Wagner began her career at Creative Artists Agency (CAA) where she spent 15 years representing some of the top actors in the business. In 1993, she launched Cruise/Wagner Productions with her former CAA client Tom Cruise. For the next 13 years, she and Cruise produced a wide range of pictures that earned numerous awards, widespread critical praise and global box-office success. The first film released under the C/W banner was the international hit Mission: Impossible, the success of which brought the company the 1997 Nova Award for Most Promising Producers in Theatrical Motion Pictures. C/W went on to produce such critically acclaimed films as Without Limits, Shattered Glass, Narc, The Others, Vanilla Sky, Elizabethtown, The Last Samurai and Ask the Dust, not to mention such international blockbusters as Steven Spielberg's War of the Worlds (which Wagner executive produced) and Mission: Impossible II and Mission: Impossible III, which Wagner produced. In all, in the decade that separated Mission: Impossible and Mission: Impossible III, films produced by Cruise/Wagner Productions earned more than $3 billion in worldwide box-office receipts.

In November 2006, Wagner took on a new role as co-owner of United Artists Entertainment, LLC (along with Cruise and Metro-Goldwyn-Mayer Inc.) and also serves as the company's chief executive officer, overseeing all its day-to-day operations. She and Cruise took charge of United Artists with the aim of reviving the venerable studio founded nearly 90 years ago by movie legends Charlie Chaplin, Douglas Fairbanks, Mary Pickford and D.W. Griffith. Since then, the reborn studio has released its first film, the political thriller Lions for Lambs, directed by Robert Redford and co-starring Redford, Meryl Streep and Cruise, and is set to release the World War II thriller Valkyrie, directed by Bryan Singer and starring Cruise in 2009.

Wagner was honored by Premiere magazine with the Women in Hollywood Icon Award in 2001. The following year she was featured in Bravo's Women on Top,a documentary that profiled exceptional women in entertainment. In 2004, she and Cruise were honored by Daily Variety as "Billion-Dollar Producers." That same year, Wagner and Cruise received the UCLA/Producers Guild of America Vision Award. In 2006, Wagner was the recipient of the Excellence in Producing Award at the Sarasota Film Festival and served as the president of the First-Time Directors Jury at the Venice Film Festival. Wagner has also served as co-chair of the Hollywood Film Festival for several years. She was also honored by the Costume Designers Guild with its Swarovski President's Award in 2008.

Wagner serves on the board of trustees of Carnegie Mellon University, where she received her bachelors in fine arts. She is a member of the American Cinematheque's board of directors and the executive committee of the UCLA School of Theater, Film and Television. Wagner also serves on the board of Interlochen Center for the Arts and the National Film Preservation Foundation through the Library of Congress.

Since creating Impact Pictures with Paul W.S. Anderson in 1992, producer JEREMY BOLT (Produced by) has produced the majority of Anderson's movies. Their first collaboration, 1994's Shopping, starring Jude Law (Channel Four Films), was an action-packed film about joyriding and ram-raiding British youth that revved up Bolt's career and established his love of cars and death-defying races. Having gotten Hollywood's attention, Bolt was producing big-budget films such as Event Horizon (Paramount Pictures) and Soldier (Warner Bros.). Sony Screen Gems' 2002 film Resident Evil was the first movie under the pair's joint venture deal with Germany's leading independent distributor, Constantin Film, and made $100 million worldwide.

Under the joint venture with Constantin, Bolt also produced Sony Screen Gems' Resident Evil: Apocalypse in 2004, written by Anderson and directed by Alexander Witt; the psychological horror The Dark, directed by John Fawcett; the teen action film DOA: Dead or Alive, directed by Cory Yuen for Dimension Films, an adaptation of Tecmo's best-selling video game franchise; and the third movie in the block-busting Resident Evil franchise, 2007's Resident Evil: Extinction, which debuted in the No. 1 U.S. box-office position and has grossed $150 million worldwide.

As well as producing big-budget genre movies, Bolt has proven his talents as a versatile and eclectic filmmaker, producing the arthouse film Vigo for Channel Four Films (directed by Julien Temple) and the comedy Stiff Upper Lips (starring Peter Ustinov). He has also produced There's Only One Jimmy Grimble (starring Ray Winstone and Robert Carlyle) and the teen horror film The Hole (starring Thora Birch and Keira Knightley), both for Pathé Pictures International.

Bolt is currently in preproduction on Pandorum, a sci-fi horror for Constantin Film and Overture Films, starring Dennis Quaid and Ben Foster. He is also preparing Castlevania for Crystal Sky Pictures and Rogue Pictures and a remake of The Long Good Friday for HandMade Films and Columbia Pictures.

The career of independent filmmaker ROGER CORMAN (Executive Producer) contradicts F. Scott Fitzgerald's famous statement, "There are no second acts in American lives." Corman's career is a three-act success story.

In the '50s and '60s, he blazed a pioneering trail as an independent producer and director, making a phenomenal number of low-budget features in a variety of genres.

His reputation as a trendsetter started with some of the cult classics he made during this period, including The Little Shop of Horrors (featuring the young Jack Nicholson in a must-see role of a masochist at the dentist's office), The Day the World Ended, The Intruder (the first film to tell the story of the integration of schools in the South), a classic cycle of horror films based on the stories of Edgar Allan Poe, The Wild Angels (the first "biker" movie, starring Peter Fonda, which opened the Venice International Film Festival to great acclaim and became the highest-grossing independent film of 1966) and The Trip (written by Jack Nicholson and starring Peter Fonda and Dennis Hopper, which was an official presentation at the Cannes Film Festival).

By the end of the '60s, Corman's provocative films had won him international acclaim. He was the youngest director ever to be honored with retrospectives at the Cinémathèque Française in Paris, the British Film Institute in London and the Museum of Modern Art in New York.

The second act of Corman's legendary career started when he founded his own independent production and distribution company, New World Pictures. During the '70s and early '80s, Corman's company became the major independent producer of fast-paced, youth-oriented genre pictures, including such cult classics as Death Race 2000, Rock 'n' Roll High School, Big Bad Mama, Piranha, Battle Beyond the Stars and Grand Theft Auto. The huge success of pictures such as these enabled Corman to also release high-quality foreign films by world-class directors such as Ingmar Bergman, Francois Truffaut, Federico Fellini and Akira Kurosawa. In a 10-year period, New World won more Academy Awards® for Best Foreign Film than all other studios combined.

In 1983, Corman sold New World Pictures and founded a new independent production and distribution company, Concorde New Horizons, launching his third act. The company, now known as New Horizons Picture Corporation, has a library of over 450 films. Many of them premiered on Roger Corman Presents, a series of science-fiction, horror and fantasy films made for Showtime.

Corman's eye for talent and unique abilities as a mentor, based on his extensive experience as a producer and director, have launched a number of stellar careers.

Graduates of the "Corman film school" include producers Jon Davison and Gale Anne Hurd; writers and writer/directors Francis Ford Coppola, Robert Towne and John Sayles; actors Jack Nicholson, Robert De Niro, Sandra Bullock, Sylvester Stallone, Charles Bronson, William Shatner, Peter Fonda and Lisa Kudrow; and directors Martin Scorsese, James Cameron, Jonathan Demme, Ron Howard, Timur Bekmambetov, Joe Dante, Peter Bogdanovich, Carl Franklin and many more.

Corman has received an honorary doctorate from the American Film Institute, lifetime achievement awards from the Producers Guild of America, the Los Angeles Film Critics Association, the American Cinema Editors, The Academy of Science Fiction, Fantasy & Horror Films and the American Film Marketing Association. In 1998, he won the first Producer's Award ever given by the Cannes Film Festival.

Combining all three acts, so far Corman has the unique honor of having produced more commercially successful films than anyone else in the history of the American film Industry.

Over the past three decades, DENNIS E. JONES (Executive Producer) has been a producer, line producer and UPM on various studio and independently financed films. Fearing that either he was being typecast or it may only have been a sheer coincidence, Jones was understandably hesitant in accepting the position of executive producer on the third film in a row in which some mention of "death" appeared in its title. However, he finally did for the feature Death Race, a "reimagining" of Roger Corman's original 1973 cult-classic B movie Death Race 2000, on which Jones had been the first assistant director.

Prior to Death Race, Jones executive produced Land of the Dead for director George Romero, starring Simon Baker, John Leguizamo and Dennis Hopper, and Dawn of the Dead, a "re-imagining" of the 1978 Romero cult classic, directed by Zack Snyder and starring Sarah Polley, Ving Rhames and Mekhi Phifer.

Born to Czechoslovakian parents who had escaped their Nazi-occupied homeland, Jones was born and brought up on the east coast of England in the North Sea fishing town of Grimsby. Upon completing his grade-five school year, his family immigrated to Toronto, Canada.

Jones was able to put himself through college and graduated with a bachelor of arts in economics from the University of Toronto. It took him two years at Canada Cement Company to realize that the job did not offer a concrete future and that he needed some redirection in his life, which he got by attending Ryerson University's Radio and TV Arts Program for studies in television and film.

After Ryerson, Jones worked for the next two years on the CTV series Here Come the Seventies (distributed in the U.S. as Towards the Year 2000) as UPM/associate producer. Jones then traveled to Duck Lake, Saskatchewan, and worked in the property department on his first feature film, Alien Thunder (aka Dan Candy's Law), which starred Donald Sutherland.

After working in various capacities on several low-budget, independent features including Invasion of the Bee Girls, Katie Can't Help It and Linda Lovelace Goes to Washington, Jones was hired on his first feature as first assistant director on Roger Corman's Death Race 2000, starring David Carradine, Sylvester Stallone, Simone Griffeth and Mary Woronov. Soon after, Jones became a member of the DGA and continued work as an assistant director on such features as The Gumball Rally, Trackdown, Bobby Jo and the Outlaw, The Amazing Dobermans and Outlaw Blues.

Jones' first studio feature as a UPM was at MGM on George Cukor's Rich and Famous. Despite showing up for his next job interview in a brown suit borrowed from the MGM wardrobe department because he didn't own one, producers Steven Spielberg, Frank Marshall and Kathleen Kennedy, all dressed in jeans, hired Jones as UPM for Poltergeist anyway. Next came Twilight Zone: The Movie (segments two, three and four) for directors Steven Spielberg, George Miller and Joe Dante, followed by Robert Zemeckis' Back to the Future.

During this period, Jones also worked as an associate producer on the cult classic The Adventures of Buckaroo Banzai Across the 8th Dimension and Gillian Armstrong's Mrs. Soffel, starring Mel Gibson, Diane Keaton and Matthew Modine. Jones went on to co-produce director John Badham's Short Circuit, starring Steve Guttenberg and Ally Sheedy.

Following that, Jones produced Michael Jackson's feature-length music-performance film Moonwalker, which had to be completed in between Jackson's World Performance Tour promoting his "Bad" album. Jones then co-produced and was second-unit director on John Schlesinger's Pacific Heights and produced the MGM television/NBC telefilm Prime Target. He went on to co-produce the psychological thriller The Surgeon (aka Exquisite Tenderness) and Walt Disney Pictures' Honey, I Blew Up the Kid.

Jones' credits also include Wolfgang Petersen's Outbreak, starring Dustin Hoffman, Rene Russo, Morgan Freeman, Cuba Gooding Jr. and Kevin Spacey; Charles Russell's Eraser, starring Arnold Schwarzenegger; Virus, starring Jamie Lee Curtis; the Canadian feature Dark Summer; and the Spelling Entertainment/CBS Civil War-era television pilot Glory, Glory.

Jones also was executive producer Universal Pictures' The Flintstones in Viva Rock Vegas and associate producer on 20th Century Fox's High Crimes, starring Ashley Judd, Morgan Freeman and Jim Caviezel.

Jones lives in Toronto with his daughter Llyandra.

In the 19 years DON GRANGER (Executive Producer), senior executive at United Artists, has been involved in the motion picture business, he has rapidly established himself as one of the industry's consummate creative forces.

From 1987 to 1988, Granger was a creative executive at Weintraub Entertainment Group. He then joined Touchstone Pictures, where, as creative executive and later director of motion picture production, he worked on such films as Pretty Woman, Three Men and a Little Lady and The Doctor.

As senior and then executive vice president of motion picture production at Paramount Pictures from 1990 until 2001, Granger was responsible for bringing most of the large-budget action-adventure movies made at the studio during this period to the screen and some of today's most powerful filmmakers to the fore. Granger was the supervising studio executive on the Mission: Impossible, Star Trek and Tomb Raider franchises, Patriot Games, Sliver, Clear and Present Danger, Varsity Blues, The Saint, Kiss the Girls, Along Came a Spider, The Sum of All Fears and Saving Private Ryan (which was nominated for 11 Academy Awards® and won five).

In 2004, Granger joined C/W Productions, headed by Tom Cruise and Paula Wagner, as its senior executive. While at C/W, Granger was in charge of all production, development and operational aspects of the company, helping to bring War of the Worlds, Mission: Impossible III and Elizabethtown to the screen. Granger also served as a producer with Cruise and Wagner on the C/W production of Ask the Dust and also served as one of the producers of New Line Cinema's Snakes on a Plane, under Granger's former partnership with Mutual Films.

Granger grew up in Woodbridge, Connecticut. He received a BA in political science from Yale University in 1985. Before moving to Los Angeles and entering the motion picture business, Granger also worked on Wall Street as a financial analyst.

Granger lives in Los Angeles with his wife and young son and daughter.

RYAN KAVANAUGH (Executive Producer) is a principal of Relativity Media, LLC, a financing, consulting and production company that structures slate financing for both major studios and independent production entities.

Kavanaugh, along with his Relativity partner, Lynwood Spinks, creates business and financial structures for a number of studios, production companies and producers and has introduced more than $3.2 billion of capital to such structures. Clients and deals include Marvel, Atmosphere Entertainment MM and French distributor/sales agent Exception Wild Bunch, among others.

Kavanaugh recently created a unique financing package, Gun Hill Road, LLC, which provides discrete and separate funds for both Sony Pictures Entertainment and Universal Pictures, marking the first time two studios have received funds from the same funding source and providing production funding for a total of 22 films in various stages of production and release. He facilitated a $528-million multipicture co-financing arrangement for Warner Bros. Pictures, as well as a $525-million financing deal for Marvel Enterprises, and structured and raised a 120-million euro acquisition, production and distribution fund for Exception Wild Bunch S.A., the French distribution and sales company founded by former StudioCanal management.

Through its partnership with Virtual Studios, Relativity finances two to three pictures per month. Kavanaugh recently arranged the financing for and will be executive producer of Conquistador, to be directed by Cannes and Sundance award winner Andrucha Waddington and star Emmy-and three-time Golden Globe-nominated actor Antonio Banderas; Morgan's Summit, written and to be directed by Academy Award® winner Tom Schulman; and The Great Pretender, starring Emmy-and Golden Globe-nominated Ewan McGregor. In addition, Kavanaugh arranged the financing to bring Top Cow Productions' Witchblade to the big screen, with production beginning last year on two feature films to be shot back-to-back. The films are based on the best-selling action-fantasy comic book, which also earned a loyal following as a TNT television series.

Kavanaugh also arranged the financing for and was executive producer of two films for Mark Canton's Atmosphere Entertainment MM-George A. Romero's Land of the Dead and Full of It. Recently, he has executive produced films including 21, The

Bank Job, Charlie Wilson's War, 3:10 to Yuma, Gridiron Gang, I Now Pronounce You Chuck & Larry and The Kingdom.

Prior to his work with Relativity, Kavanaugh started a venture capital company at the age of 22, and during that time raised and invested more than $400 million in equity for a number of venture and private equity transactions.

SCOTT KEVAN (Director of Photography), a Detroit native and AFI graduate, has garnered both critical and popular attention for his cinematography on an impressive selection of films in a variety of genres. He has been recognized for creating startling images, iconic silhouettes and hallucinogenic, brightly colored dreamscapes.

In 1992, upon graduating from The University of Texas at Austin, Kevan moved to Los Angeles where his time was split between working as a camera assistant and shooting time-lapse images around the world for travel documentaries.

Kevan continued his education, earning his MFA in cinematography from the American Film Institute, where he received the Mary Jane Pickford award for excellence. Upon graduating in 1998, Kevan went on to earn critical nods for lushly realized images in the southern-gothic drama Briar Patch, the Gerald Hirschfeld ASC Best Cinematography Award at the Ashland Independent Film Festival for his work on Bug, and another Best Cinematography award for The Woman Every Man Wants at the Nodance Film Festival.

Kevan's breakthrough came in Eli Roth's 2002 horror smash Cabin Fever. Fangoria magazine wrote that its cinematography created "a remarkable and eerie rural ambience, with just the right use of color, lighting and shadows."

Kevan went on to lens the psychological thriller Deepwater; the independent Chinese period drama Beauty Remains; the road movie Simple Lies; the camp-driven horror flick Tamara; the reality-based, grit-filled Borderland and the comedy If I Had Known I Was a Genius, starring Whoopi Goldberg and Sharon Stone.

In early 2007, Kevan had another box-office hit with the dance spectacle Stomp the Yard, in which he captured the excitement of precision step dancing with an intense energy and passion. This led to The Hollywood Reporter recently proclaiming Kevan to be one of "the brightest and most talented cinematographers under 35" in its 2007 Next Generation issue.

Kevan's recent work includes director Renny Harlin's Cleaner, starring Samuel

L. Jackson and Ed Harris; Hell Ride, a Quentin Tarantino production and a 2008 Sundance Film Festival selection; and Overture Films' Humboldt Park, directed by Alfredo De Villa and starring John Leguizamo, Alfred Molina and Freddy Rodríguez.

PAUL DENHAM AUSTERBERRY (Production Designer) recently designed 30 Days of Night, starring Josh Hartnett. Other production design credits include Take the Lead, Assault on Precinct 13, Resident Evil: Apocalypse, Highwaymen, The Tuxedo, Exit Wounds, the Canadian feature film Men With Brooms and Mercy.

As art director, Austerberry's credits include X-Men, Forever Mine, The Corruptor, Half Baked, The Real Blonde, Extreme Measures, Harriet the Spy and Kids in the Hall: Brain Candy. He was awarded a Gemini Award for his work designing Yo-Yo Ma Inspired by Bach.

In the early 1980s, while studying at college, NIVEN HOWIE (Editor) was part of a successful local band and consequently believed he would follow a career in music. However, events led him to a job as a trainee editor at a film and video facility on Wardour Street, Soho. Because of his affinity with music, he very quickly established himself as one of the most sought-after music-video editors in London. He soon added commercials to his portfolio, and it wasn't long before his work began to win awards. In 1988, he directed his first music video, which led him to work in New York, Los Angeles and all over Europe. He continued to edit for a few of his favorite clients, one of whom, British filmmaker Julien Temple, asked Howie to edit Temple's feature film Bullet, starring Mickey Rourke, Tupac Shakur and Ted Levine. Howie never looked back.

He has now completed several very successful feature films-Resident Evil: Extinction, The Hitchhiker's Guide to the Galaxy and Dawn of the Dead, just to name a few but still finds time for music. In 1993, he edited Sting's Grammy Award-winning Ten Summoner's Tales. He was nominated for an Emmy Award in 2002 for his work on Paul McCartney: Back in the U.S. In 1998, his work on Guy Ritchie's Lock, Stock and Two Smoking Barrels earned him a BAFTA nomination. Two of his documentaries were nominated for the Sundance Film Festival Grand Jury Prize: Glastonbury in 2006 and Joe Strummer: The Future is Unwritten in 2007. Niven is a member of the Motion Picture Editors Guild in Los Angeles.

Austrian-born PAUL HASLINGER (Music by) has secured a distinctive reputation for composing film scores, which incorporate both robust classical elements and compelling electronica. Formally trained in his hometown of Linz, Haslinger ventured to Vienna, where he continued his classical studies while exploring the new domain of electronic music. Auditions for the band Tangerine Dream led to a five-year collaboration, four albums and several films, including Miracle Mile, Near Dark and Canyon Dreams.

After his "Dream" period, Haslinger released three solo albums and scored two landmark animated science-fiction films: Planetary Traveler and Infinity's Child. He continued perfecting his film-scoring skills as the programmer for Graeme Revell, supplying memorable textures and atmospheric style to Blow, The Negotiator, The Siege, Pitch Black and Lara Croft: Tomb Raider, to name a few.

Haslinger earned his first solo credit as a film composer for the 2000 movie Cheaters, directed by John Stockwell. Since then, he has worked on Stockwell's Crazy/Beautiful, Blue Crush and Into the Blue, starring Jessica Alba and Paul Walker.

The year 2002 found Haslinger composing and producing musical segments for Steven Spielberg's thriller Minority Report. In 2003, Haslinger scored Len Wiseman's Underworld, his first film to open No. 1 at the U.S. box office. In recent years, Haslinger has made a conscious effort to expand and diversify his work. His scores for Ubisoft's Xbox releases Far Cry Instincts and Rainbow Six Vegas were enthusiastically received by the gaming community, so much so that he was asked to return to score both games' sequels. His work on the Golden Globe Award-and Emmy Award-nominated series Sleeper Cell (Showtime) received wide critical acclaim for its mix of Western and Middle Eastern music elements.

Haslinger continues to be in high demand as a film composer, having completed work on several feature film releases including Crank (directed by Brian Taylor and Mark Neveldine), Vacancy (directed by Nimród Antal), Shoot 'Em Up (directed by Michael Davis) and the Sony Screen Gems thriller Prom Night (directed by Nelson McCormick). Upcoming film releases include The Mayhem Project's Make It Happen (directed by Darren Grant).

Haslinger's immense vision embraces film, games, albums and live performance in a modern musical world without boundaries.

GREGORY MAH (Costume Designer) recently designed for Dimension Films' Black Christmas, written and directed by Glen Morgan. Mah previously worked with Morgan and writer/director James Wong on New Line Cinema's Final Destination 3 and Willard. Also for New Line, Mah designed the costumes for the horror/thriller Freddy vs. Jason. He designed costumes for Bill Pullman and Lena Olin for Ignition and clothed Stanley Tucci, Bridget Fonda, Giancarlo Giannini and Talia Shire in The Whole Shebang. His other feature credits include Mr. Rice's Secret, starring David Bowie.

For the small screen, Mah has designed costumes for numerous telefilms including 14 Hours for Paramount Pictures and TNT; Ground Zero for NBC; Final Run for Lions Gate/CBS; A Cooler Climate, starring Sally Field and Judy Davis for Paramount/Showtime; and The Baby Dance, starring Stockard Channing and Laura Dern. His series television credits include Touching Evil, Pasadena and The Commish.

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